A Brief History of These Awards
In records going back to 1963, the Saint Paul Camera Club (SPCC) has continually adapted its Best Images of the Year awards to reflect changes in photography, technology, and member interests. As new photographic processes emerged and participation evolved, the club refined its competition structure to encourage growth, recognize achievement, and celebrate outstanding images.
When Slides Were Glorious
From 1963–1964 through 1996–1997, SPCC divided color slide competitions into two classes: Class A and Class AA. The club created Class A for newer or less experienced photographers and reserved Class AA for more advanced members. This two-tier system encouraged participation by allowing photographers to compete among peers with similar levels of experience.
Members could choose which class to enter, however, when a photographer won in Class A, SPCC required that member to move up to Class AA. The club also encouraged photographers to advance voluntarily as their skills developed.
In 1997–1998, SPCC eliminated the class system for slides and combined all entries into a single category. Slide competitions remained an important part of club life until September 2010, when SPCC retired them altogether.
Digital Takes Hold
As digital photography gained popularity, SPCC began accepting digital images in competition during the 2005–2006 season. Over time, digital photography replaced slides as the club’s primary projected-image medium.
To reflect growing participation and creative diversity, SPCC divided the digital category into two awards beginning in 2020–2021:
- Open Digital
- Topic Digital
These categories continue to the present day.
For Photographers, Prints Are King!
Print competitions experienced even more changes as photography evolved.
From 1963–1964 through 1971–1972, SPCC judged all prints in a single category. Beginning in 1972–1973, the club introduced Class B and Class A divisions to encourage participation among photographers of varying experience levels. Club leaders intentionally chose different terminology from the slide competitions to avoid confusion with the Class A and Class AA slide structure.
During the mid-1970s, advances in color print processing made home color darkrooms practical for many photographers. Some photographic papers could even be handled under a safelight. In response, SPCC divided both Class A and Class B into Monochrome and Color categories for the 1975–1976 and 1976–1977 seasons.
Despite the excitement surrounding color photography, relatively few members entered the color categories because the cost of color printing remained high. As a result, SPCC abandoned the monochrome/color split in 1977–1978, when most members still focused primarily on black-and-white photography.
That same year, the club reorganized print competitions into Class A and Class AA divisions. Then, in 1984–1985, SPCC once again separated both classes into Monochrome and Color categories, creating four annual print awards.
This arrangement remained in place until 1997–1998, when SPCC eliminated the class system entirely. From that point forward, the club presented annual awards simply for:
- Monochrome Prints
- Color Prints
The “Friendly Class”
In the early 1990s, SPCC experimented with a special category known as Class A+, often called the “Friendly Class.”
The club created this category to encourage broader participation. Members could submit commercially processed color prints up to 4 × 6 inches in size, making competition more accessible to photographers who were not producing traditional darkroom prints.
Change Is Constant
Throughout SPCC’s history, the competition rules have continued to evolve. The club has adjusted the number of images permitted each month, changed allowable print sizes, revised mounting and masking options, and introduced or retired categories as photography and member interests changed.
The history of these awards reflects the history of photography itself: a constant balance between tradition, innovation, and the enthusiasm of club members eager to share their best work.
Thank You, Gene Schwope!
Special thanks to Gene Schwope, a longtime SPCC member, for sharing his knowledge of the club’s competition classes and helping preserve the history and rationale behind these award categories.
Slides
1963-1964 to 1996-1997 (Class AA and Class A Slide)
| Class AA Slide (Experienced) | Class A Slide (Novice) | |
| 1963-1964 | R.L. Schmidtke | Bruce Clifton |
| 1964-1965 | Esther Craine | Ray Wilkerson |
| 1965-1966 | Harry Lokken | Ernest Anderson |
| 1966-1967 | Elinor Walstrom | Lila Millar |
| 1967-1968 | Elinor Walstrom | Ernest Brauer |
| 1968-1969 | Harriet Hedrick | Gene Schwope |
| 1969-1970 | William Stewart | Ned Bend |
| 1970-1971 | Esther Larson | Jack Myers |
| 1971-1972 | Ernest Brauer | Bill Garness |
| 1972-1973 | Delores Zafke | Sylvia Goldman |
| 1973-1974 | Esther Larson | Byron Goldstein |
| 1974-1975 | William Stewart | Robert W. Nelson |
| 1975-1976 | Elinor Walstrom | Dorothy Knutson |
| 1976-1977 | Harry Lokken | Betty K. Olson |
| 1977-1978 | Morris Gildemeister | Carol Schwope |
| 1978-1979 | Elinor Walstrom | Betty K. Olson |
| 1979-1980 | William Stewart | Barry Evans |
| 1980-1981 | Morris Gildemeister | Paul Haubner |
| 1981-1982 | Robert Ganzel | Carol Davis |
| 1982-1983 | William Stewart | JoAnn Kuntemeier |
| 1983-1984 | Robert W. Nelson | Paul Dinndorf |
| 1984-1985 | Paul Dinndorf | Michael Kuller |
| 1985-1986 | Harold Hawkins | Mark Viker |
| 1986-1987 | Nancy Hansen – Snow Dressing | Robert E. Olson – Bird Of Paradise |
| 1987-1988 | Florence Nelson | Svend Bang |
| 1988-1989 | B.J. Schuweiler | Alice Prescott |
| 1989-1990 | Carol Davis – Daydreams | Len Ethier – Nature’s Cauldron |
| 1990-1991 | Ernest Brauer – Lizzy | Len Ethier – Corporate Merger |
| 1991-1992 | Morris Gildemeister – Big Fire In Gaylord | Bill McMackins – America’s Pride |
| 1992-1993 | Nancy Hansen – On Guard At Dawn | Sol Minsberg – Farm Storage Bldgs. |
| 1993-1994 | Robert E. Olson – Lava Domes | Kaye Nardizzi – Turn Of The Century |
| 1994-1995 | Gene Schwope – New Year’s Day At Grand Marias | Phyllis Kedl – Beat It Charlie! |
| 1995-1996 | Harold Hawkins – Frosty Eyes | Sol Minsberg – Sleepy Head |
| 1996-1997 | Rick Savage – Nonska Light | Dave Schulte Fair Skies |
1997-1998 to 2009-2010 (Single Class Slide)
| 1997-1998 | Paul W. Moore – Skateboarder | |
| 1998-1999 | Florence Nelson – Fog And Trees | |
| 1999-2000 | Phyllis Kedl – Just In Time | |
| 2000-2001 | Radka Turcajova – Mexican Bartender | |
| 2001-2002 | Radka Turcajova – Star Trails | |
| 2002-2003 | Phyllis Kedl – Moon Shadow | |
| 2003-2004 | Herb Gustafson – La Boca Window | |
| 2004-2005 | Tom Farrell – Yellow Argiope | |
| 2005-2006 | Steve Kobs – Irish Window | |
| 2006-2007 | Pat Schwope – Abandoned Church | |
| 2007-2008 | Dave Schulte – Peyto Lake | |
| 2008-2009 | Jim Duncan – Fantasy Forest #1 | |
| 2009-2010 | Pat Schwope – Vineyard Grapes | |
| 2010-2011 | Color Slides Discontinued | |
Digital Image
2005-2006 to 2019-2020 (Single Class Digital)
| Digital Image | |
| 2005-2006 | Randy Libersky – Friends |
| 2006-2007 | Tom Farrell – Wisconsin Barn |
| 2007-2008 | Pattie LaVance – Faith |
| 2008-2009 | Gene Schwope – An Iowa Staircase |
| 2009-2010 | Gene Schwope – Downtown Music Men |
| 2010-2011 | Gene Schwope – Cannon Beach |
| 2011-2012 | Barry Mullin – Music Unraveled |
| 2012-2013 | Arlene Green – Fairyland |
| 2013-2014 | Jason Novotny – Stairs |
| 2014-2015 | Bill Irish – Playing Hard |
| 2015-2016 | Sharon Berg – An Angel’s View |
| 2016-2017 | Cindy Carlsson – Kamikaze Chaos |
| 2017-2018 | Larry Syverud – A7 |
| 2018-2019 | Marv Vikla – Building My Home |
| 2019-2020 | Ken Epstein – Oak Leaf |
2020-2021 to 2025-2026 (Open and Topic Digital)
| Open Digital | Topic Digital | |
| 2020-2021 | Peggy Boike – Blueberries on Meat Fork | Jenny Noecker – Water Lily |
| 2021-2022 | Karen Leonard – Angels Take 3rd | Cindy Carlsson – Fishing is Good in Any Weather |
1963-1964 to 1971-1972 (One Class Print)
| 1963-1964 | Richard Olsen |
| 1964-1965 | Richard Olsen |
| 1965-1966 | Richard Olsen |
| 1966-1967 | Robert Ganzel |
| 1967-1968 | Gene Schwope |
| 1968-1969 | Donald Natwick |
| 1969-1970 | Richard Patch |
| 1970-1971 | Gene Schwope |
| 1971-1972 | Art Dickey |
1972-1973 to 1974-1975 (Class A & B Print)
| Class A (Experienced) | Class B (Novice) | |
| 1972-1973 | Jack Myers | Raymond Burton |
| 1973-1974 | Richard Patch | Tom Johnson |
| 1974-1975 | Gene Schwope | Katy Sullivan |
1975-1976 to 1976-1977 (Class A and Class B, Monochrome & Color Print)
| Class A |
Class B |
|||
|
Monochrome |
Color | Monochrome |
Color |
|
| 1975-1976 | Gary Eckhardt | Art Dickey | Jeanne Cagle | Bryon Goldstein |
| 1976-1977 | Gene Schwope | Art Dickey | Jack Cagle | Jan Smith |
1977-1978 to 1983-1984 (Class AA and Class A Print)
|
Class AA |
Class A |
|||
| 1977-1978 | Gary Eckhardt | Lynn Geesaman | ||
| 1978-1979 | Art Dickey | Lynn Geesaman | ||
| 1979-1980 | Gary Eckhardt | Jan Smith | ||
| 1980-1981 | William Stewart | Dick Steiner | ||
| 1981-1982 | Art Dickey | Robert Beglund | ||
| 1982-1983 | Art Dickey | Betty K. Olson | ||
| 1983-1984 | Henry Hall | Walt Westberg | ||
1984-1985 to 1996-1997 (Class AA and Class A, Monochrome & Color Print)
|
Class AA |
Class A |
|||
| Monochrome | Color | Monochrome | Color | |
| 1984-1985 | Art Dickey | Jim Carr | J. Kuntemeier | Michael Kuller |
| 1985-1986 | Walt Westberg | Art Dickey | Nancy Conroy | Jim Barker |
| 1986-1987 | Hank Weir | Betty K. Olson | Gaynelle | Jim Sullivan |
| Rubber Tree | Tulip Pattern | Buckland | Yosemite #3 | |
| 1987-1988 | Art Dickey | Jim Sullivan | Bill Mori | Marge Ethier |
| 1988-1989 | Hank Weir | Gary Eckhardt | Bill Mori | JoAnn Kuntemeier |
| 1989-19901 | Chuck LaVallee – My Friend Hank | Art Dickey – Building Houston | Dennis Mills – #328 On Time | JoAnn Kuntemeier – Grand Canyon Rainbow |
| 1990-1991 | Hank Weir | Dennis Mills | Marge Ethier | Marge Ethier – Where Custer Stood |
| 1991-1992 | Hank Weir – Windows & Wheels | Mel Sayhun – Ladys Of Sherbrook | Caroline Mills – Our Favorite Model | Laurie Roster – Kidd Appeal |
| 1992-1993 | Art Dickey – Marsha | Art Dickey – Ick | Marge Ethier – Misty Morn | Gene Schwope – Another World |
| 1993-19942 | Dennis Mills – Sum. In Florence | Art Dickey – Rose | Len Larson – Tastes So Good | Betty K. Olson – Fire And Smoke |
| 1994-19953 | Dennis Mills – Florence Leper | Len Ethier – Ramparts | Marge Ethier – Dome Art | Gary Eckhardt – Lake Superior Rocks |
| 1995-1996 | Hank Weir – Old Mill | M. Gildemeister – Corkscrew #2 | Marge Ethier – Black Swallows | Jack Myers – Toothy |
| 1996-1997 | Richard Y. Kain – Am I Beautiful? | Steve Kobs 07 | Paul W. Moore – Harvest Moon | Betty K. Olson – Bicycle |
“The Friendly Class”, Class A+ Print
Saint Paul Camera Club sought to encourage more participation by adding “The Friendly Class”, or Class A+, which allowed color prints up to 4″ by 6″ that were processed in a commercial lab. We only have records of results for three non-consecutive years, shown below, and footnoted above.
1 In Color Prints Class A+, 1989-1990, Dennis Mills – East Rosebud Lake.
2 In Color Prints Class A+, 1993-1994, Richard Y. Kain – Monument Valley Tree. In the “Friendly” Class, Pat Gildemeister – Misty Harbor.
3 In Color Prints Class A+, 1995-1995, JoAnn Kuntemeier – Portrait Of Bee #2.
1997-1998 to 2019-2020 (Monochrome & Color Print)
| Monochrome Print | Color Print | |
| 1997-1998 | Henry Hall – Old Piling | Betty K. Olson – Street Rod Up Close |
| 1998-1999 | Larry Swistoski – Heavens Call | Len Ethier – Race Ya’ To The Top |
| 1999-2000 | Dennis Mills – Up Or Down? | Dennis Mills – Old Church, New Mexico |
| 2000-2001 | Steve Kobs – Morning Light | Marge Ethier – Dreamscape |
| 2001-2002 | Marge Ethier – Pure And Simple | Radka Turcajova – Competition |
| 2002-2003 | Radka Turcajova – Yucca Vertical | Radka Turcajova – Magellanic Penguins |
| 2003-2004 | Steve Kobs – Alison | Greg Beatty – Vaults Of Autumn Gold |
| 2004-2005 | Pattie LaVance – Lauren With Scarf | Tom Farrell – A Capitol View |
| 2005-2006 | Randy Libersky – Lauren 2 | Pattie LaVance – Memorial |
| 2006-2007 | Gregour Beatty – Walkin-the-Dog | Pattie LaVance – Prairie Breeze |
| 2007-2008 | Tom Johnson – Coastal Haze | Pattie LaVance – Tool Shop |
| 2008-2009 | Matt Ebbers – Radiating | Gregour Beatty – Mississippi Spring Rising |
| 2009-2010 | Tom Dunn – Can’t Sell Nuttin’ | Tom Dunn – River Rowers |
| 2010-2011 | Tom Dunn – Lowertown 12:19 | Gregor Beatty – Minnesota Mist |
| 2011-2012 | Joseph Schufman – Don’t Fence Me In | Gregor Beatty – Minnesota Channel |
| 2012-2013 | Phyllis Kedl – Dune Shadows | Joseph Schufman – Lonesome Pine, Capitol Reef NP |
| 2013-2014 | Manuel Vivas – Girl In The Window | Roberta Mullin – Coy Koi |
| 2014-2015 | Larry Syverud – Dr. Turkey Lurkey | Bob Muschewske – Disapproval |
| 2015-2016 | Joseph Schufman – MN State Capitol | Paul Rogne – Capitol Fourth |
| 2016-2017 | Steve Simmer – Aboard The Galeon de Andulucia | Steve Kayser – State Capitol Stairway |
| 2017-2018 | Bob Muschewske – Red Square | LuAnn Thatcher – Errant Voyageur |
| 2018-2019 | Bob Muschewske – Surrounded | Valarie Anderson – Fairyland Bryce Canyon |
| 2019-2020 | Marv Vikla – I Suggest You Google ‘Chopin In Havana’ | Ken Epstein – Asian Horses |
2020-2021 to 2025-2026 (B/W & Color Print)
| B/W Print | Color Print | |
| 2020-2021 | No Prints – Covid 19 Pandemic | No Prints – Covid 19 Pandemic |
| 2021-2022 | No Prints – Covid 19 Pandemic | No Prints – Covid 19 Pandemic |
